![]() Victor Bruns, born 1904 in Ollila in today’s Finland, wrote over 20 solo concertos, 50 chamber pieces and several ballet works. 4 virtuoso pieces for bassoon solo op.6 Pieces for contrabassoon and piano op.Soloists of Rundfunk-Sinfonieorchester Berlinĥ Pieces for bassoon and piano op.The association became a nursery for the entire modern music from Richard Strauss and Debussy to Webern, as far as the instrumentation of the works allowed. Schoenberg had a close personal tie with many of the composers performed at the association concerts and sometimes even an amical one, as in the case of Zemlinsky. From his first success in 1908 (Carnival Overture), a still unknown virtuoso Viola Concerto (Scottish Fantasy) to a strictly structured Prelude and Fugue – Braunfels Music is worth be discovered in our days.ĪSSOCIATION FOR PRIVATE MUSICAL PERFORMANCESįounded in November 1918 by Arnold Schoenberg (1874–1951) and a few of his confidants, the Association for Private Musical Performances constituted perhaps the most progressive and most intensive opportunity for a select Viennese musical circle to familiarize themselves with contemporary and the latest works of the international composers’ scene in the immediate aftermath of the First World War and hence at the time of a dearth of a cultural spirit of optimism and innovation. This 5 th release of Capriccio’s Braunfels Edition shows again his large range of colorful music. Then again when post-war Germany had little use for the various schools of tonal music when the arbiters of taste considered any form of romantic music – almost the whole pre-war aesthetic – to be tainted. Walter Braunfels is a composer whose music died twice: Once when the Nazis declared his music “degenerate art”. DEUTSCHE STAATSPHILHARMONIE RHEINLAND-PFALZ.Musicians have always enjoyed performing Genzmer’s inspired music, which is affectionally adapted to the most varied instrumentations, and are now continuing to do so in increasing measure. As practicable, it may win over the interpreter, and then the listener as graspable’. The broadly educated scion of an academic family never regarded himself as a genius transcending boundaries, but as the servant of performers and the public: ‘Music should be zestful, artful and comprehensible. What Genzmer adopted from his mentor was the masterly craftsmanship, an awareness of classicism and form and joy in performing in itself and in the colours of the most differing instruments. Whoever studies Genzmer’s enormous oeuvre in detail will recognize in the pupil’s music many Romantic gestures and a sensual imagination rarely occurring in the teacher’s works. Harald Genzmer was a composition pupil of Paul Hindemith in Berlin from 1928 to 1934. Oliver Triendl, piano Patrick Demenga, cello Jörgen van Rijen, trombone HARALD GENZMER (1909-2007): Piano Concerto no. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |